Sea Change With a meaty role on The L Word and a budding film career, gender-bending style icon Daniela Sea is poised to become a queer household name Photography by AARON COBBETT Styling by NOLÉ MARIN Story by CAROLINE RYDER

"All my life I’ve used clothes to express myself,” says The L Word’s chisel-cheeked resident genderqueer, Daniela Sea. The impossibly handsome 29-year-old, dubbed “the female River Phoenix” by L Word creator Ilene Chaiken, made history last year playing the role of Moira, a Midwestern stone butch who morphs into Max, television’s first recurring female-to-male transgender character. Playing a transman wasn’t much of a stretch for Sea, who was already toying with her gender presentation when she was just 10, dressing like a mini 1950s greaser or fopping it up like a preteen Chaucerian gentleman.

A former punk guitarist, fire juggler, goat herder, and citizen of the world (she lived as a man in India for eight months), Sea has run the queer style gamut, ricocheting between medieval rebel boi and green-haired punk princess. “Right now, I think I’d describe my style as princely,” says Sea, who lives in Brooklyn with her girlfriend of five years, queer performer Capital b (formerly Bitch from folk duo Bitch and Animal).

Sea was working at a restaurant in New York City when the makers of The L Word flew her to L.A. to read for the part of Moira (her friend was a writer on the show and had given the producers Sea’s reel). They hired her almost immediately—great news for Sea, bad news for the show’s costume designer Cynthia Summers, who had just five days to come up with an entire wardrobe for Moira/Max. Summers and Sea worked together to develop Moira’s androgynous rebel look, inspired by the cult teen movie The Outsiders. Later on, Max—complete with facial hair and biceps—would start wearing more conservative office shirts and slacks as he attempted to assimilate into mainstream life as a straight man.

Playing TV’s first regular FTM character was a “huge honor,” says Sea, who had only appeared in one film prior to The L Word (a small role in John Cameron Mitchell’s Shortbus). But her relative newness to acting was counterbalanced by her ultra-bohemian life experience, which equipped her better than most to play the role.

Sea was born in Malibu, the daughter of artist/surfer intellectuals who met on a sustainable farming community. Her father came out as gay when she was 3. “My mother didn’t see it as a betrayal,” says Sea. “They were really in love so she said, ‘OK, let’s see what this is all about,’ and they went to a gay bar in Hollywood. They tried to go through it together.” The couple eventually parted ways when Daniela was 5. “I don’t think it was a simple decision for my father, but I’m glad he did what he did,” says Sea. “It taught me about the importance of being true to yourself, at any cost.”

When she was 16, Sea left L.A. and moved to San Francisco to join the Gilman Street Project, a punk-artist feminist collective. She came out as a lesbian shortly after, and all her “significant relationships” since then have been with women. She played guitar as “Dan-yella Dyslexia” in queercore bands Gr’ups and Cypher in the Snow, touring with big-name hardcore acts like Fugazi and Rancid. “I had a green mohawk, and sometimes I’d wear this crazy ripped-up prom dress with wings on stage,” recalls Sea. “It’s funny, looking back.” She then traveled through Europe, working as a circus performer and hitchhiking her way around while learning to play the accordion and penny whistle.

"[My father’s coming out] taught me about the importance
of being true to yourself, at any cost.”

This year Sea is also starring in Itty Bitty Titty Committee, a coming-of-age tale by lesbian director Jamie Babbitt (But I’m a Cheerleader) which takes a wry look at the lives of a young group of womyn activists calling themselves “Clits in Action” (aka C.i.A.). “The film looks at the good and bad sides of being in a group of people trying to change the world,” says Sea, who stars alongside Guinevere Turner, Jenny Shimizu, Melanie Mayron, and Melonie Diaz. “And we get a chance to laugh at ourselves, which is great; people always think of feminism as being so serious.”

And Sea is, of course, looking forward to playing Max in another season of The L Word—although sometimes she secretly wishes he would ditch the suits and ties for some funkier threads. “Fashion-wise, I’m not a big fan of what I would call his boring office clothes,” she admits. “But it’s been a trip feeling him become more and more comfortable in his skin. Playing Max is an adventure, every day.”